We’re making children’s books. What that means is a lot of my time is spent fact checking, editing, and looking for great open use pictures. Writing a book on cats means that today my job is searching the internet for pictures of cats. It’s a good day.
I’ve seen and learned some cool stuff, but this by far takes the cake: Babou, Cheryl/Carol/Charlene Tunt’s pet ocelot is (or is named after) an actual ocelot in history, and not just any ocelot.
Ladies and gentleman, I give you Babou the ocelot and Salvador Dalí the human:
Babou was the name of Salvador Dalí’s pet Ocelot. Allegedly acquired from the Columbian Head of State in the 1960s, Babou spent no small amount of time by Dalí’s side. Dalí outfitted his adorable friend with a leash and stone studded collar and would take it everywhere one might take a medium-sized dog.
In one account, a woman became terrified of the animal in a New York City cafe. Dalí told her not to worry; it was just a normal cat that he had painted over.
Like Cheryl’s pet, Dalí’s Babou was certainly no stranger to luxury. It was known to lounge on a silken settee located in front of a carved marble fireplace.
Being a wild animal, the historical Babou was ill-suited to domestic life and the outbreaks depicted on Archer are likely based in truth. As actor Carlos Lozano recounted: “I only saw the ocelot smile once, the day it escaped and sent the guests at the Meurice scurrying like rats for cover.”
If you have to ask why Dalí and Archer both love ocelots, prepare for an education in the most ferocious cuteness you’ve ever seen:
They are wild and owning one is cruel, but cruelty has never been so tempting.
Photo #1 embedded from Archer Wiki; The rest from Wikimedia Commons.
Written by Michael Jones